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Cinema Cinema embrace improvisation with CCXMD

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New York-based experimental art-punk duo Cinema Cinema has always made unique music, but their newly released fifth album CCXMD is a radical departure from anything they’ve done before. Cousins Ev Gold (vocals/guitar) and Paul Claro (drums) teamed up with noted jazz musician Matt Darriau to record an entirely improvised set of material that was then edited down to an album. The result is atmospheric, noisy, and chaotic, and it sounds like nothing else.

Emily Capell talks about her debut album, “Combat Frock”

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Having put out three EPs previously, North West Londoner Emily Capell has now released her debut full-length album, “Combat Frock.” The title is an obvious nod to The Clash, one of Capell’s favorite bands, and is just one example of the singer/songwriter creatively referencing the music she loves. Influences of ska, indie rock, pop, punk, and other styles are apparent on Combat Frock, and they combine to make the perfect foundation of Capell’s witty lyrics and catchy vocal melodies. Capell is currently opening for The Selecter on their 40th Anniversary tour.

Imani Coppola talks about her DIY approach to making “The Protagonist”

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Imani Coppola’s recently released “The Protagonist” (Ipecac Recordings) is impossible to nail down to a particular genre. Throughout the album, Coppola flawlessly jumps between styles including rock, R&B, punk, and even country. But the end result is absolutely cohesive, thanks to Coppola’s own production and dedication to creating the perfect tracklisting order.

Azam Ali embraces electronic music and draws upon early influences for “Phantoms”

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With her new solo album, “Phantoms,” Azam Ali fully embraces electronic music and draws upon early influences previously not apparent in her music. Ali has been known as a world music artist with five previous solo albums and for her work with Niyas and VAS. But the intricately arranged electronic compositions on “Phantoms” bring to mind the music of bands like Cocteau Twins, Massive Attack, and Portishead. Ali even covers Cocteau Twins with a reimagining of “Shallow Than Halo.”

Naoko Yamano talks about “Sweet Candy Power” and the long career of Shonen Knife

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For nearly 40 years, Japan’s Shonen Knife have been creating infectious punk/pop music that often revolves around food. This past summer they released their 19th studio album, “Sweet Candy Power.” Frontwoman and only consistent member Naoko Yamano started Shonen Knife in Osaka, Japan on December 30, 1981. Highlights from their long career include writing a song for The Powerpuff Girls, touring with Nirvana, and even being the subject of a tribute album.

Alexa Hunter talks about the return of Disturbed Furniture

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Formed in 1979, Disturbed Furniture were part of the arts and music scene surrounding downtown New York City’s Club 57. They put out a well-received 45, toured the East Coast, and opened for bands such as The GoGo’s, The Psychedelic Furs, and The Stranglers. But within three years, the group was no more. Now, Disturbed Furniture has returned with a new EP, “Continuous Pleasures.”

Alex Bloom interviewed about his second album, “Chaos/Control”

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With his second album, Chaos/Control, LA-based indie artist Alex Bloom strived to push beyond his comfort zone and explore more of his musical influences. While still generally maintaining a low-key melodic rock sound, the album sees Bloom experimenting with a wider variety of song structures and instrumentation. In a phone interview, Bloom discussed the making of Chaos/Control, as well as how it came to have the same name as this website.

The Ritualists frontman Christian Dryden interviewed about the formation of the band and their debut album, “Painted People”

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On their debut album, “Painted People,” NYC-based band The Ritualists showcase an intense, theatrical post-punk sound that seamlessly blends a variety of influences. The music can be dark and abrasive while also full of melodic hooks and soaring choruses. There is a strong glam rock undercurrent, but The Ritualists never come across as trying to emulate a particular style. Strong songwriting and creative arrangments make their influences coalesce into a sound all their own.

Keren Woodward of Bananarama talks about “In Stereo” and the history of the band

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Since emerging in the early ’80s, Bananarama has had a string of hugely successful pop hits, including “Venus,” “Cruel Summer” and “I Heard a Rumour.” They’ve continued to tour and release music over the years and recently released “In Stereo,” their first album in a decade. “In Stereo” has a modern edge, but the pure, energetic pop songs are unmistakably Banarama. It’s become their most commercially successful albums in years, hitting the top 40 in England and several other countries.